The Museum's exhibition program presents solo and group shows by local, national, and international artists, prioritizing originality and striving to showcase works from a diverse array of creators. Its goal is to bring innovative contemporary art that transcends borders to South Florida and beyond, connecting communities and broadening horizons.Exhibitions are organized by Jorge Rodríguez (R10), the Museum's director and Chief Curator, and by guest curators from all visual arts. Each one runs for an average of 45 days, with shorter exhibitions of seven to fifteen days being planned in cases where certain works cannot be displayed for the usual period of time.
The "Pop Up Shows" or ephemeral exhibitions are conceived as part of a specific line of projects aimed at presenting as many local artists as possible to the community and offering them exhibition spaces throughout the regular season.
As the title suggests, these extraordinary artists explore the intersectional spaces between the real and the supernatural, where both realms coexist in a productive tension. Throughout the history of thought, humanity has sought to reconcile these two planes: from mythical cosmogonies that explain the visible world through invisible forces to scientific pursuits aimed at elucidating phenomena once considered supernatural. In this sense, Allegories of the Real and the Supernatural can be interpreted as an invitation to rethink our own experiences—the boundaries between what we can know and what remains shrouded in mystery. In the works associated with this title, there is perhaps a suggestion that the mystical is not separate from everyday life but rather intertwined with it, offering new ways of understanding the world.
The Museum of Contemporary Art of the Americas and the Fine Arts Ceramic Center presented their exhibition "Unlikely Assemblages" as part of the 57th Annual National Council on Education for the Ceramic Arts (NCECA) Conference, which took place from March 15th to 18th, 2023 in Cincinnati, Ohio, United States. The Annex Gallery, located next to the Pendelton Art Center and directed by photographer and cultural promoter Jens G. Rosenkrantz, hosted the exhibition, which will run until April 29th, 2023. "Unlikely Assemblages" showcases the works of three prominent Cuban creators who are based in South Florida.
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The Women in the Arts Program, along with a sizable group of Cuban artists, pays homage to the extraordinary Cuban artist Carmen Herrera. The Museum of Contemporary Art of the Americas in Kendall inaugurated the group exhibition 'A mi me manda Carmen' on Friday, March 10, 2023, witnessing an exceptional turnout. In response to a call by curator Monica Batard, a select group of artists, predominantly Cuban, decided to honor the memory, life, and legacy of Herrera. These artists shared their works with the public in Kendall and Miami-Dade County, once again showcasing the diversity of female creativity in the world of contemporary art.
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The Fine Art Ceramic Center and Miami Ceramic League are teaming up to promote and educate the public on ceramic arts. The Miami Ceramic League recently hosted an annual exhibition in collaboration with the Museum of Contemporary Art of the Americas, featuring renowned ceramicist Tom Coleman as the keynote speaker. The event provided a platform for artists to showcase their latest creations and network with fellow creators for several hours. The evening was filled with creative and motivational experiences, and attendees gained a deeper appreciation for this unique art form.
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I don’t remember when I first met Montoto, but by the time I began to associate with the art world, he was already well-established. It’s been over 25 years now. I later designed several catalogs for him and got to know him personally. At that time, he often worked with art critic Rufo Caballero, who unfortunately passed away at the peak of his career. Rufo told me that Montoto’s entire discourse was based on deep intellectual convictions and that I should not be swayed by appearances, that beyond his almost absolute mastery of technique, there were deep philosophical reflections layered underneath.
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The Rodríguez Collection, displayed at the Museum of Contemporary Art of the Americas (MoCAA), offers a fascinating exploration of contemporary Cuban and continental art. Encompassing various mediums and styles, the collection emphasizes the richness and diversity of continental artistic expression. Featuring paintings, sculptures, photographs, drawings, and ceramics, the works interact with each other and captivate viewers, creating a unique heritage that transcends boundaries of time, culture, and geography, for a truly enriching and immersive artistic experience, serving the Kendall community and the rest of South Florida.
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The museum must not be a conventional and unsurprising place. It must offer wondrous experiences and provide insights into the mysteries of creation; it must invite us to embark on new journeys. Though the museum must never be ordinary, visitors must feel like they are on familiar ground. A museum is to be prone to debate, discovery and thought. A museum is a place for integration and sharing where the notion of community is vital. It is a place of concurrence, not opulence. At the same time, a museum should be accessible and welcoming to all, inspiring curiosity and sparking imagination in visitors of all ages and backgrounds.
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The Fine Arts Ceramic Center integrates into The New MoCAA museum. The exhibition "Ceramics: Omnipresence Matter" is organized, encompassing the complex connotations of identity, belonging, and diaspora. It concerns the artist's narratives, history, and social context. It's a total departure from how traditionally the ceramics collection has been presented. Ceramics have become a source of inspiration and expressiveness for a selection of artists presented as part of the FACC collection. As part of the integration, the exhibition showcases how the Fine Arts Ceramic Center has evolved into a really dynamic space.
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Collecting art is not just a hobby, it's an exploration of one's own values, ideologies, and tastes. This practice not only curates a personalized visual narrative but also plays a role in shaping cultural conversations and driving the artistic direction. For collectors of contemporary art, the acquisition of new pieces isn't merely transactional—it's about engaging with the present, participating in current dialogues, and directly influencing the direction of the art world. Adding new artwork to their collection is a commitment to the ongoing evolution of culture and creative expression. It's about supporting artists, facilitating their growth and ability to create.
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The transition from art center to museum requires many changes, from operational structures, programming to the manner in which art is presented and exhibited. One thing however, that will not change in this transition, is the Kendall Art Center’s–and now MoCA-Americas’, view collaboration as our cornerstone. As the museum is meant to service the community, MoCA-Americas will not be a closed off museum, dedicated only to its permanent collections, but also continuing our educational and external programs of traveling shows, Art in the Community, Women in the Arts, SOFLO New Artists, which focuses on giving senior MFA students the chance to graduate with exhibition experience, and of course, loaning our work for other museums and institutions to exhibit and enjoy.
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The Kendall Art Cultural Center (KACC), dedicated the past six years to the preservation and promotion of contemporary art and artists, and to the exchange of art and ideas throughout Miami and South Florida, as well as abroad. Through an energetic calendar of exhibitions, programs, and its collections, KACC provides an international platform for the work of established and emerging artists, advancing public appreciation and understanding of contemporary art.
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The Rodríguez collection is a blueprint of Cuban art and its diaspora. Within the context of the new MoCA-Americas the collection becomes an invaluable visual source for Diaspora identity. It represents a different approach to art history to try to better understand where we come from to better know where we are heading.
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