The Museum's exhibition program presents solo and group shows by local, national, and international artists, prioritizing originality and striving to showcase works from a diverse array of creators. Its goal is to bring innovative contemporary art that transcends borders to South Florida and beyond, connecting communities and broadening horizons.Exhibitions are organized by Jorge Rodríguez (R10), the Museum's director and Chief Curator, and by guest curators from all visual arts. Each one runs for an average of 45 days, with shorter exhibitions of seven to fifteen days being planned in cases where certain works cannot be displayed for the usual period of time.
The "Pop Up Shows" or ephemeral exhibitions are conceived as part of a specific line of projects aimed at presenting as many local artists as possible to the community and offering them exhibition spaces throughout the regular season.
As the title suggests, these extraordinary artists explore the intersectional spaces between the real and the supernatural, where both realms coexist in a productive tension. Throughout the history of thought, humanity has sought to reconcile these two planes: from mythical cosmogonies that explain the visible world through invisible forces to scientific pursuits aimed at elucidating phenomena once considered supernatural. In this sense, Allegories of the Real and the Supernatural can be interpreted as an invitation to rethink our own experiences—the boundaries between what we can know and what remains shrouded in mystery. In the works associated with this title, there is perhaps a suggestion that the mystical is not separate from everyday life but rather intertwined with it, offering new ways of understanding the world.
Under the Art in the Community program, the Museum of Contemporary Art of the Americas actively participates in the tribute to the recently deceased Manuel Comas Labrada. Starting Friday, August 30th, Miami's artistic community, along with friends and family, will have the opportunity once again to appreciate several of his pieces.
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As is customary, the prestigious Women in the Arts Program at the Museum of Contemporary Art of the Americas is proud to present to the art lovers in its community, and indeed to the entire community of artists and enthusiasts across South Florida, the latest creations from a distinguished group of female artists working throughout the state.
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The selection of works exemplifies her profound mastery of abstract painting intertwined with a deep commitment to environmental advocacy. It also reveals a resonant fusion of culture, memory, and ecological consciousness. MaiYap's artistic perspective was shaped by her upbringing in Panama, under the dual influences of her rich Chinese heritage and the vivid tropical environment.
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Latin American Rockers brings together artists from South America and Mexico. Each artist was invited by the curator to reflect on their cultural roots and to explore the spirit of rebellion, freedom, and creativity that characterizes Latin American culture. Ultimately, it is a tribute to the influence of music on art and society, seeking to connect the rhythm of rock with the visual rhythm of art.
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While her work has been part of the museum's collection for several years and has been featured in numerous group exhibitions both within our galleries and at various art institutions across South Florida, 'Women Who I Could've Been' marks her first solo exhibition in our space. Ana Albertina Delgado uses her pictorial language to express the current social debates surrounding diversity, emphasizing the role of women in society.
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Stubborn presents a collection of works inspired by classical statuary, particularly torsos and heads, transformed with the unexpected incorporation of industrial objects. Through this juxtaposition, the exhibition invites viewers to reconsider the legacy of Western values and our perceptions of various aspects of life. In contrast to his previous series, Prado intentionally relinquished total control over the creative process, allowing it to unfold with less restraint.
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As the title suggests, the exhibition evidences the convergence of very diverse artistic perspectives, which also reflect the artists' determination to refine their technical skills and develop the concepts that structure their personal poetics. Each of these students has demonstrated significant growth in their work and will take advantage of the opportunity provided by the Museum of Contemporary Art of the Americas to share their pieces with the community, their colleagues, and their family and friends.
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After just over a year of collaboration between the Museum of Contemporary Art of the Americas (MoCAA) and the Secretary of Culture of the State of Goiás, the exhibition "A Sangue no Alguidá" was finally inaugurated at the MoCAA, located in The Crossings, Kendall, South Florida. Goiás is one of the twenty-six states that, together with the federal district, constitute the Federative Republic of Brazil.
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"Exaggerations of History" is a compelling collection of 101 miniature portrait paintings of female artists spanning from the 12th to the 20th centuries, each coupled with an embedded Augmented Reality (AR) experience. Via an app-enabled AR journey, viewers are privy to a video narrative that vividly brings to life the biography and creative trajectory of each artist. A salient goal of this series is to affirm the significant role of women in the arts from the outset.
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On the afternoon of Friday, March 15, in a meaningful commemoration of Women's History Month and under the auspices of the Women in the Arts program, the American Heartbeats collective exhibition was inaugurated with great anticipation. This exhibition serves as a vibrant showcase for the works of a carefully selected group of women artists who have garnered substantial recognition within the dynamic cultural scene of South Florida.
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Art as a discipline has the power to transcend boundaries and connect people from diverse origins through the universal language of creativity. In the vibrant world of art, associations play a crucial role in bringing together like-minded individuals who share a passion for artistic expression. One such association is the Dade Art Educators Association, a community that acts as a melting pot for artists of various genres and styles. Members of this enriched association had the generosity to share their art with colleagues and art enthusiasts at the DAEA President’s Showcase.
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Geometric Abstraction is a thoughtfully curated exhibition paying tribute to the extensive career of an artist of Pedro Hernández's stature. He is among the Cuban artists who arrived in the 1960s and, despite the inherent challenges, seamlessly integrated into a society that was vigorously growing and constantly redefining its identity. While Pedro practiced as a medical professional his entire life, he consistently created stunning pieces of art with remarkable regularity.
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In Miami, you hear a lot about art, but not so much about craft. James Herring's work in ceramics fuses the two. Herring eschews the title of "artist" and sees the resurgence of crafts and craftsmanship as a necessity for human growth in modern times. An outspoken supporter and practitioner of the maker movement, Herring has maintained a presence locally by doing demonstrations and leading classes and workshops on the ancient craft.Abel Folgar for '100 Creatives Miami New Times' | December 27, 2016
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In close collaboration with the Fine Art Ceramic Center, the annual juried exhibition for its members was open to the public from Friday, February 9, through Wednesday, February 21, 2024, at the Museum of Contemporary Art of the Americas. This year's exhibition featured works from forty members, in various formats and techniques. The show was juried by Kelly and Kyle Phelps, nationally recognized collaborating artists, twins, and art professors based in Ohio.
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The Kendall Art Cultural Center (KACC), dedicated the past six years to the preservation and promotion of contemporary art and artists, and to the exchange of art and ideas throughout Miami and South Florida, as well as abroad. Through an energetic calendar of exhibitions, programs, and its collections, KACC provides an international platform for the work of established and emerging artists, advancing public appreciation and understanding of contemporary art.
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The Rodríguez collection is a blueprint of Cuban art and its diaspora. Within the context of the new MoCA-Americas the collection becomes an invaluable visual source for Diaspora identity. It represents a different approach to art history to try to better understand where we come from to better know where we are heading.
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