Numerous people, including family and friends, attended the opening of the exhibition "Three of a Kind," organized by the Museum of Contemporary Art of the Americas (MoCAA) in Kendall, as part of the Art in the Community program. The exhibition, which took place from July 25 to August 25, 2025, featured artists Julio Figueroa-Beltrán, Helier Batista, and Luis Abreux, and was curated by the Rodriguez Collection team. At the center of this exhibition was a friendship—not a trivial or anecdotal bond, but one that had endured for over two decades among artists who, although not necessarily of the same generation or trajectory, had cultivated aesthetic and personal complicity. "Three of a Kind" was born precisely from that complicity. Its title—borrowed from a poker hand where three different cards share the same value—served as a structural metaphor to present three distinct voices, each with markedly different visual languages, yet rooted in a common cultural substratum and a willingness to engage in dialogue based on mutual respect and difference.
Cuba is an archipelago nestled in the Antilles of the Caribbean Sea. Its modest size, however, belies the political and historical weight it has carried in the region and across much of the Global South. Its unique political trajectory has left a profound imprint on the historical and ideological evolution of the Americas for nearly a century. Following the triumph of the Cuban Revolution in 1959, the nation veered from its previous course and aligned itself ideologically and structurally with the Eastern Bloc, under the leadership of the now-defunct Union of Soviet Socialist Republics. At that time, the world was starkly divided into two distinct economic and social systems—two antagonistic blocs that regarded each other with disdain and engaged in relentless ideological confrontation.
Marco to Miami unfolded as both an exhibition and a cultural statement—one that underscored the significance of interregional collaboration and the vitality of Florida’s artistic ecosystems. Through an expansive array of media and styles, the show captured the creative energy of Florida’s Gulf Coast while weaving it into Miami’s rich and ever‑evolving cultural fabric.
The Exhibition was part of a wider institutional exchange that brought contemporary voices from across the Americas to new and eager audiences. Running through July 1, this exhibition marked a rare and important opportunity for audiences on Florida’s southwest coast to experience highlights from MoCAA’s growing permanent collection.
Hosting an exhibition by the renowned Spanish sculptor Carlos Albert marks a significant milestone for the Museum of Contemporary Art of the Americas (MoCAA) and the vibrant community it serves. The inclusion of his work in our curatorial program reaffirms the museum’s commitment to excellence in contemporary art and to fostering international artistic voices whose trajectories and visions enrich the cultural dialogue within our local context.
The Cuban art collection of Mr. Méndez has been assembled over the course of two decades, beginning in Havana itself. The works were acquired directly from the artists—an approach that, from the outset, served as both a gesture of patronage and a means of sustaining their creative paths. Leonardo Rodríguez also prioritized direct acquisition as support and commitment to the artists.
Lineages offered a multilayered meditation on ancestry, presence, and reinvention. It posed enduring questions—what does it mean to speak of lineage, of ancestry, of descent? Is it a burden, a continuity, a scar, a myth? Through photography, performance, and symbolic portraiture, the artists revealed how identity *was shaped—claimed, questioned, and transformed—*across generations
Her photographs lingered on overlooked corners—faded storefronts, improvised altars, weathered objects carried from one shore to another—each image charged with the weight of private histories and quiet resilience. Rather than framing exile as rupture alone, she highlighted how memory weaves itself into new patterns, creating spaces that feel both borrowed and entirely one’s own...
The Kendall Art Cultural Center (KACC), dedicated the past six years to the preservation and promotion of contemporary art and artists, and to the exchange of art and ideas throughout Miami and South Florida, as well as abroad. Through an energetic calendar of exhibitions, programs, and its collections, KACC provides an international platform for the work of established and emerging artists, advancing public appreciation and understanding of contemporary art.
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The Rodríguez collection is a blueprint of Cuban art and its diaspora. Within the context of the new MoCA-Americas the collection becomes an invaluable visual source for Diaspora identity. It represents a different approach to art history to try to better understand where we come from to better know where we are heading.
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